Once we know a scale, it helps to give its notes numbers. That way we can talk about any scale at once: "the 3rd" means the third note of whatever scale we're in.
The notes of a scale are its degrees, numbered from the : in C major, C is 1, D is 2, E is 3 and so on. The 1st degree, the root, is also called the tonic: the scale's home note. Each degree also has a traditional name (you'll see them in the table below), but the numbers are what musicians use most.
You've already met , the distance between two notes. An interval's name has two parts:
Here is every degree of C major with its interval from C. Press play to hear each one.
| Degree | Name | Note | Half steps | Interval | Play |
|---|---|---|---|---|---|
| 1 | Tonic | C | 0 | Root | |
| 2 | Supertonic | D | 2 | Major 2nd | |
| 3 | Mediant | E | 4 | Major 3rd | |
| 4 | Subdominant | F | 5 | Perfect 4th | |
| 5 | Dominant | G | 7 | Perfect 5th | |
| 6 | Submediant | A | 9 | Major 6th | |
| 7 | Leading tone | B | 11 | Major 7th | |
| 8 | Tonic (octave) | C | 12 | Perfect Octave |
C to E♭ and C to D♯ are both 3 half steps, so they sound the same. But E♭ is the 3rd letter from C, so C to E♭ is a minor 3rd, while D is only the 2nd letter, so C to D♯ is called an augmented 2nd: a Major 2nd (C to D) made a half step wider. This is why scales are spelled the way they are: in C minor the 3rd note has to be some kind of E, so it's E♭, not D♯.
With numbers, the difference between major and minor becomes easy to see. The natural minor is a major scale with three degrees lowered by a half step, marked with a ♭:
Play the 1st, 3rd and 5th degree together and you get a triad, a of three notes, built on the root. From C major you get C E G, the C major chord; from C minor, C E♭ G, the C minor chord.
We'll build all kinds of triads this way in the chords chapter.
Next: Pentatonic and Blues Scales