Inversions and Voicings

A chord doesn't have to be played with its root at the bottom. As long as the same notes sound, it's the same chord; only the order changes. That changes how it sounds, and how smoothly it connects to the next chord.

How you arrange a chord's notes (which is lowest, which is on top, how close together) is called its voicing. Inversions are the first step.

Three ways to play a triad

Move the lowest note of a up an octave and you get an inversion. So a triad can be played three ways: root position (root at the bottom), 1st inversion (3rd at the bottom) and 2nd inversion (5th at the bottom).

The lowest note of a chord is called the bass.

Root positionCC E Gthe root in the bass
1st inversionC/EE G Cthe 3rd in the bass
2nd inversionC/GG C Ethe 5th in the bass

The inversions are written as slash chords: C/E means "C major with E in the bass".

Why inversions are useful

Inversions let the bass move in small steps instead of jumping. Play C, then G with B in the bass (G/B), then Am: the bass walks down C, B, A, and the chords flow into each other.

CG/BAm

On the guitar: small triad shapes

Guitarists often play triads on just three neighbouring strings, called a string set. Each inversion gives its own little . Here is C major on the D G B strings (filled notes are the root C), sorted by fret. The shapes chain up the neck: 2nd inversion at fret 5, root position at fret 8, 1st inversion at fret 12, then the same order starts again 12 frets higher.

2nd inversion (C/G), fret 5
O
5
6
7
8
Root position (C), fret 8
O
8
9
10
11
1st inversion (C/E), fret 12
O
12
13
14
15

Learn the three shapes on one set of strings, and you can play any major chord anywhere on the neck, just by sliding them.

Next: Power Chords